This morning I took myself to the Scottish National Portrait Gallery, where there is currently a small exhibition showing some of Francesca Woodman’s photographs. I have been interested in Woodman’s beautiful and unsettling work for a long time.
Connected with this – in my head, anyway – I have been reading Emily Dickinson’s poetry.
There is little to link these artists, except that they were two American women who produced intense and intimate bodies of work, neither of which were discovered until after their deaths.
However, their work lives on – emitting a poetic radiance through the years.
The Poets light but Lamps –
Themselves – go out –
The Wicks they stimulate
If vital Light
Inhere as do the suns –
Each Age a Lens
Coast, a micro exhibition of artworks responding to the topic of coastal change, will open at An Talla Solais, the contemporary arts centre in Ullapool on Saturday the 20th of July.
My monotype Submerged will be part of this exhibition
I didn’t make any prints while Edinburgh Printmakers was closed for relocation. A five month break is plenty long enough to lose the thread of one’s artistic practice. In the past few weeks I have been back working again, playing around without an end in sight. For me there is only one thing to do when you’ve lost your way: make something, anything, just the act of creating gets your muscle memory flexing
When in doubt do something, anything.
Just make a start.
Holy Rood is an Old English poem of the words spoken by the tree from which Christ’s cross was hewn. Robert Crawford has translated it, and the text is illuminated by Norman McBeath’s exquisite photographs.
The book is loose leaved and presented in an elegant drop back box. I can’t resist the allure of a beautifully produced book. It is a delight and I wish it were mine….
We printmakers were out in force last Thursday evening for the big reveal of our new workspace at Edinburgh Printmakers. Based in Fountainbridge, Castle Mills is the former HQ of the North British Rubber Works. It has been sympathetically restored and adapted for our needs. It is gorgeous; all exposed beams and bare brickwork.
The studio opens fully on Wednesday 1st May (today!) and I for one can’t wait to get going.
Welcome to my new website. It was built by Julia Douglas, who has patiently and expertly led me through the process, doing all the hard work whilst I sweated the small stuff.
I have been taking a break from printmaking recently as Edinburgh Printmakers, where I usually work, has been closed due to relocation. I thought I would have some quiet time, a pause, space for reflection. However, that hasn’t happened, as I have been busy with other things. At the moment I’m finishing off a commission for archival storage boxes for these old photograph albums. I’ve really enjoyed this work, it’s refreshing to do something so straightforward.
Anyway, do I really want quiet time? How would I actually use it? Frittering away the hours on the internet?